Showing posts with label crewelwork. Show all posts
Showing posts with label crewelwork. Show all posts

Monday, September 12, 2016

Museum Textile Treasures



I recently took a trip to Wethersfield, Connecticut to visit the Webb Deane Stevens Museum and take the Textile Treasures-Digging Deeper Tour. The day was one of the hottest and most humid of the year but that did not deter the ladies that came with me!

We had made reservations and when we arrived we joined the other ladies in the small museum shop (which had A/C) to wait for the start of the tour. As there were 20 ladies signed up the group was divided into two and each group looked at items in a different house before swapping places. Bearing in mind the heat and humidity and the fact the house did not have A/C, just fans, the items had been removed from their second floor settings to make it more ‘comfortable’ to view them.
                                          
Our group started with the oldest pieces in the textile collection, a bed covering thought to have been made in India, made of pieces of embroidered fabrics joined together in no particular way. The designs were flowers, birds and butterflies and the colours remained very bright. The designs were worked in tiny chain stitches, most likely with a tamour hook, as they were too tiny and even to have been worked with a needle. 


The second piece was a silk dress of woven fabric which had been re-made. Fabric was imported from the UK into the US prior to the revolutionary war and so a silk fabric would have been very expensive and dresses were often re-made to fit another family member. Again, the colour on the fabric was still very bright.
                                                      
        
Other pieces shown were items that were made using crewelwork and several cross stitched samplers were on display along with mourning pictures, stitched on water colour painted silk backgrounds.


                                     
Not too overcome by the heat in that room, the group moved to the house next door, braving the heat outside, to view more items from the collection. Here we saw a bargello stitched bag, a pincushion with the pins spelling “March 17 1761” (these were often given as gifts to commemorate events), another bed cover worked in wools, a few items of men’s clothing and a beautifully stitched man’s pocket book that opened to reveal pockets for masonic items. Several of the internal pockets were made from knitted pieces rather than embroidered.



I urge you to check the websites of your local historical homes as quite often they have collections that they hide away for most of the time and then have special exhibits to share them with the public. Sometimes the advertising for these exhibits is not as good as it could be, but the items are so worth seeing up close and personal! 


Wednesday, January 14, 2015

Holiday Windows in NYC

The first day of the year usually finds my husband and I walking the streets of New York City looking at the holiday windows and tree. This year was no exception as the weather was dry (no doing this trip in the rain!) although cold and quite breezy. We parked the car and walked the quieter route from Second Avenue, up to Madison and then along 59th Street to Fifth Avenue and the start of our annual wanderings.

Bergdorf Goodman is where we always start our windows walk and this year the theme was the arts. Each window display celebrated something different: painting; cinema; sculpture; dance; literature; architecture; photography. All very lavish and creative, but the one that really caught my eye was the literature window.


This window was an all red theme and there were portraits of authors along with stacks of books and a typwriter-but what made this window special was tha fact that all the portraits were hand stitched! There was crewelwork, needlepoint, cross stitch and embroidery. The typewriter was constructed from felt as were many of the books. Bergdorf Goodman Senoir Art Director David Hoey said it is the most labour intensive window they have ever created!
 


 


The other windows were fun too. Everything in the architure window was constructed from paper and the model is meant to be the artitect looking at her work-her beautiful evening gown was embroidered using a tambour technique.

     
 
A couple of these little guys were in other windows and caught my eye-made from needlepoint.
 


 

David Hoey reported that he wanted the windows to be a lesson in art appreciation and more than 100 artists contributed to the items in the windows, using a revival of old school techniques.


I hope we see more of this revival and see smocking come into its own in 2015!